The importance of editing:


Keeping track of continuity

by

Naomi Rabinowitz

During
my 14 years writing for Soap Opera Digest magazine, I was asked many questions
about my job, mainly along the lines of, “So, you get to watch TV all day,
huh?”
Well,
yes, watching the soaps was a big part of my job description, but writing about
the shows involved much more than simply watching them. We editors had to keep
track of characters, actors and the histories of soaps, most of which were
several decades old. We had to worry about everyday editing concerns, such as
spelling an actor’s name correctly or using “there, their, they’re”
properly, but we also had to worry about things like how many times a certain
character had been legally married to another.
It
may sound amusing and kind of unbelievable that we put so much effort into
getting our facts straight about a fictional land, but in the daytime world,
this was of the utmost importance. If we got the slightest bit of information
wrong, we’d inevitably hear from angry fans … and it put SOD’s integrity into
question.
The
point of me sharing this is that I believe that as much care should be taken
into keeping track of continuity when an author writes his or her own fictional
work, a novel. Many authors with whom I’ve worked, worry about making
grammatical mistakes; they’ll ask me to do a line edit or to check for typos in
their writing, but a true edit goes way beyond that. You want your characters
to stay consistent throughout. This applies to small details, i.e., if a
character has green eyes in the first chapter, don’t suddenly write that
they’re blue unless there’s a storyline-related reason that they’ve changed. If
someone’s name is spelled a certain way, i.e., a girl’s name is
“Jen,” don’t also spell it “Jenn” or “Gen.” Pick
one and stick to it.
Of
course, you need to keep track of bigger details, too. If a character finds a
magic sword at the start of a story, it can’t be a magic shoe later on. If a
certain curse turns people into bugs, this has to stay the same
throughout. If a character is cold and stoic, he or she shouldn’t suddenly
change personalities; the shift should be organic. This is especially
important if you’re writing a series and these details need to stay consistent
from book to book.
A
novel may be fiction, but in order for your words to be believable, you need to
treat your world with respect and think of it as if it is real. If you put the
effort into making your world whole and keeping every detail in place,
then your readers will have a much easier time getting lost in the work that
you’ve created.


Revenge of a Band Geek from Bad




Love. Lust. Blackmail. Romance. Revenge. Is finding love worth getting even?


Shy, overweight Melinda Rhodes’ sophomore year of high school isn’t going so well. Her mother mocks her weight. She spends her weekends holed up in her room making what her friend calls “Freaky eyeball paintings.” Her pants split in the middle of school, earning her the nickname, “Moolinda.” She then loses first chair flute in band to Kathy Meadows, the pretty and popular mean girl who’s tormented Mel for years. 

This is a coming of age tale about finding love, staying on top and staying true to yourself. Is it really possible for Melinda to have it all?

How to edit you’re novle affectively.

OK, keep your wig on. The title was MEANT to be full of errors . . . actually, I have no idea if ‘affectively’ is wrong or not, that’s why I hire editors for my books. Here, on WWBB, I do my own editing and if unsure of the word I won’t use it. It’s that simple.


Editing really is that easy: hire, hire, hire or do not write that/a word.



It boils down to ONE reason why a writer won’t hire an editor:


Arrogance.


Under the umbrella of arrogance they will tell you that family or friends are good enough to edit for you or ‘editing kills unique writing’. They’ll even say that their qualifications enables them to edit properly.


Even editors need editors. Put it this way, do you check your appearance in the mirror before leaving the house? Or do you trust yourself that your breakfast isn’t stuck in your teeth or beard?


The mirror will tell you.


So will an editor.


Louise Wise is the author of two comedy romances:

And one ‘spicy’ sci-fi romance:
 Eden

And a non-ficiton novelette: